Hey.
I’m thinking that Stephany’s got some serious blackmail ammo on Tonto Balboa. Maybe some footage of him dressing in drag and getting his leather pumps shoved heel side up his gravy maker while foxy boxing in Tijuana.
How else could she be able to take a whole fucking 17 day absence from writing only to come back and shit out one of the worst pieces of writing I’ve ever seen?
And, just because she thinks she’s goddamn coy, she starts her steaming pile of donkey dong for a post with the following statement:
"Here are a few subjects that are not taught at Artist School but that you will NEED as an artist in this country (and just for clarification for some of you Mimes out there… I’m talking about Theatre, Instrumental Music, Vocal Music, Fine Arts, Dance, etc)."
Look – theatre, music, drawing, dancing – they’re arts. I’m not blind. They’re just inferior to mime, that’s all. Strip away all the externals of each of these disciplines, and you’ll find the components of mime work through and through.
I guess the gist of what this whack job’s trying to say is this: boo hoo hoo my crappy children’s stories aren’t selling and I’m addicted to pills and the last time I had an orgasm, George Bush threw up on some Japanese people. Being an artist is sooooo hard and mommy and daddy should have told me this so I would have married someone who’s rich instead and just drink and drink and drink until my face turns grey!
Art schools don’t owe anyone shit.
They’re like a Home Depot, filled to the brim with tools and people who can recommend which paint color works best for any type of design you want. Expect offering advice you can accept or ignore.
In the end, it’s up to you whether you decide to use them correctly, or in Stephany’s case, use a chainsaw to mix a bucket of paint and bitch and moan because she chopped her arm off by mistake.
But the real learning, the time where you rise above mediocrity (i.e, the world of Stephany Ericson), comes from taking the tools you learn in art school or from other artists or by just fucking up at it so many times that you can’t help but learn a few things and combining it with your own point of view on this world, based on paying attention to what’s going on out there. News, politics, religion, what people feel and do and want.
Now, let me give you some real advice on how to make art and survive in this world, using the mnemonic device of S-T-E-P-H-A-N-Y:
Shut Up and Listen – Mimes are the smartest people around for a reason. They pay attention. Folks like Stephany cannot stop talking about how brilliant and tormented and alone they are, and it’s pretty fucking dull.
Listen to the weather around you, the people in your environment, the sound of loose change rattling in an unattended wallet, perfect for stealing. You’ll learn more than you think.
Take your art with a grain of salt - I’m pretty damn proud of my mime work. It’s won a few awards, and found its way into the hearts and minds of people. But, in the end, I’ll wind up dead in some alley, and the world will go on.
I’m not gonna change the world with pantomime. I’m just gonna make the crummy parts hurt less, for a little bit of time.
Entrepreneurship is possible - Think Stephany’s ideas of telemarketing or being a cubicle whore sound degrading? Of course they are! Start up your own business. Whether it’s web design or walking dogs or selling human organs on the black market, there’s nothing like being your own boss, with flexible hours to do art stuff.
Piss on the bitter fakers - As an artist, it is your duty to hereby ignore the jaded, bitter slags like Stephany who tell you that doing art is foolish and stupid. News flash: this world is foolish and stupid, chaotic, and short. Do it anyway.
Have no backup plan - “If I can’t be a mime, I’ll take accountant courses and…”
No.
You want to do art, you do it.
You want safety and three meals a day and a mortgage and children on your knee and a car in the garage and to be president of your local goddamn home owner’s association? Do that, then.
Don’t be surprised if you wake up to find your Blu-Ray player stolen by some artist who didn’t give up on their art.
Always help out artists who deserve help - It doesn’t have to be cash.
Show them the best places to pick up prostitutes, or which people can get you gigs.
Never give up - Even when you’re in some dry patches, where no work for your art is forthcoming, make some art anyway. Get out there, sharpen your skills.
Yell when you need to yell - This piece of advice is metaphorical, for me.
The point is that, when the time comes to show people that your art is worth their time and money, then and only then do you make some noise until they become aware of you.
Any other ways artists can balance survival and art? Email me!
LINUS
- Linus is a world renowned mime artist whose productions “She Walks with Ghosts”, and “Sleep” have won him several international awards, such as the Deburau Prize He also served fifteen years in Oregon State Penitentiary for grand larceny. He trained in Paris at the International School of Corporeal Mime and will beat up anyone who has a problem with it.












